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Life & fun · April 1, 2026

Erhythm

Learn Rhythm Through Geometry

What it does

Explore the geometry of musical rhythm with Erhythm. A visual circle-based composer to create, share and discover rhythms from around the world.

Does the same job

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  • HW
  • CP
    Chord Progressions2017 · peterburk.github.io · ▲161
  • LightNote2016 · ▲242

    An interactive site to learn the basics of music theory 🎶

  • Eigendrum - Draw any shape and hear what it sounds like as a drum27d ago · baselashraf81.github.io · ▲243

    Hi HN, I built Eigendrum, a web tool that solves the 2D wave equation for arbitrary shapes so you can hear what they sound like as drums. How it works: * Solves -∇²u = λu using finite element analysis (Kφ = λMφ) on a triangle mesh. * Validated to <0.1% error against closed-form solutions for circles (Bessel zeros) and rectangles. * Sound model factors in strike location, Rayleigh damping, and mallet width. * Includes Kac drums I & II to demonstrate identical sound spectra from different geometries. * No frameworks, build steps, or dependencies. Repo and tests:…

  • ÆW
    ÆTHRA – Writing Music as CodeJan 2026 · ▲104

    Hi HN I’m building ÆTHRA — a programming language designed specifically for composing music and emotional soundscapes. Instead of focusing on general-purpose programming, ÆTHRA is a pure DSL where code directly represents musical intent: tempo, mood, chords, progression, dynamics, and instruments. The goal is to make music composition feel closer to writing a story or emotion, rather than manipulating low-level audio APIs. Key ideas: - Text-based music composition - Chords and progressions as first-class concepts - Time, tempo, and structure handled by the language - Designed for ambient,…

  • AG
    A geometric analysis of Chopin's Prelude No. 4 using 3D topologyFeb 2026 · github.com · ▲50

    OP here. This is a geometric decoding of Chopin's Prelude No. 4. I built a 3D music midi visualizer ( https:&#x2F;&#x2F;github.com&#x2F;jimishol&#x2F;cholidean-harmony-structure ) and realized that standard music theory couldn't explain the shapes I was seeing. So, I developed the Umbilic-Surface Grammar to map the topology of the harmony. This document demonstrates that the prelude's tension isn't random, but a rigorous conflict between 'Gravity' (Station Shifts) and 'Will' (Pivots). I am looking for feedback on the logic—specifically from anyone with a background in topology or music…

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