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Dev tools · December 19, 2024

Movie Iris - Visualizing Films Through Color Extraction

I saw someone post these on reddit 4 years ago, and I really wanted to make them. I was surprised they didn't open source their code, so I rebuilt it. Lots of things I would do differently now haha, but anyway, figured someone here might find it interesting.

Movie Iris - Visualizing Films Through Color Extraction launched on December 19, 2024 with 78 votes, #425 of 5,365 launches that month and more than 90% of that year's launches. The site was still online in September 2026, 1 year on.

Visit github.com ↗Alternativestop 8% of December 2024

In plain words

Movie Iris extracts and visualizes the dominant colors from films, creating a color palette representation of each movie. The tool is designed for filmmakers, visual analysts, and cinema enthusiasts interested in understanding a film's visual composition and color grading choices. The creator rebuilt the project from scratch after discovering a similar concept shared years ago, offering their own interpretation of the color extraction technique.

written from the facts on this page · September 2026

From the sources

Visualizing movie frames as art. Contribute to LoSinCos/movie-iris development by creating an account on GitHub.

The Movie Iris project was something that I started working on during quarantine. I saw some cool visualizations on Reddit's r/dataisbeautiful and was inspired to start working on the project. Some other users had already done something like this - and I wanted to try my hand at is as well. This repo is my take on turning movies into still art. Effectively taking raw movie frames, compressing them to their core colors, and visualizing the color schemes of a movie. I wanted to see how movies evolve, as well as how directors intended for different colors to be prevalent across different scenes. I wanted to make something artistic and visual, and I figured this would be a great opportunity to…from github.com

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    Any frame's color, as a LUT for yours.

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